My Story

She is multicultural and multilingual and has lived and practiced in six countries. Her practice coalesces somatic (bodily) explorations, visual art principles, and tools of movement and improvisation in both theatre and dance, resulting in experimental dance/art installation that she calls “asemic”— in other words “outside of normative understanding.” She explores new ways to engage the public as an active observer of performance. The projects she is creating are highly collaborative, emphasizing community diversity and equal opportunities for each person involved in the creative process.